Constructivism / Modernism

Moscow
Korolev
Sochi
Nizhny Novgorod
Kaliningrad
Tver

Printing plant of the party publishing house and the newspaper "Pravda".

One of the most significant monuments of constructivism and the main building of the architect Panteleimon Golosov. The building was erected on Pravdy Street overlooking the Leningradskoye Highway in 1930-1935. In Soviet times, it housed the newspaper "Pravda", "Komsomolskaya Pravda", "Soviet Russia", "Rural Life".


The building consists of two buildings: an eight-story editorial and publishing building and a lowered printing building perpendicular to it. The long main facade of the editorial building with horizontal ribbons of windows, interrupted by vertical rows of balconies and blank walls on the sides, overlooks Pravdy Street. The central part with solid glazing, brought forward slightly, is located above the entrance with powerful columns, a stylobate and a horizontal slab in the form of an ellipsoid. The buildings form two courtyards. The laconic and expressive appearance of the building is close to the style of the great French architect Le Corbusier, who admired the construction of P.A. Golosova.


The premises of the editorial office were decorated with marble and wood paneling. Furniture and lighting fixtures were made in the constructivist style without the participation of the author. In 2006, the building was badly damaged by fire and was taken out of service.

House on legs

The idea of ​​“houses on legs” dates back to the architectural fashion of the 1920s: they were designed by Le Corbusier (Unité d'habitation in Marseille, the Central Union building on Myasnitskaya Street) and Soviet constructivists (Narcomfin’s house on Novinsky Boulevard, Communal House on Ordzhonikidze street). The construction of the “house on the legs”, designed by architect Andrei Meyerson, began in 1973. Initially, it was planned to build it on the shore of the Khimki reservoir near the Vodny Stadion metro station for a hotel. However, subsequently, the city authorities decided to move the building to the territory of one of the main entrances to Moscow - to Begovaya Street.

Like the Marseille prototype, its supports and trapezoidal bottom are cast from monolithic reinforced concrete. This method, rarely allowed in Soviet construction, allows you to make sculptural forms, and Meyerson took advantage of this opportunity - faceted trapezoidal legs are very expressive. But even higher ductility does not weaken. Unlike the earlier Moscow counterparts, which are not very different from ordinary multi-dwelling houses, the house on Begovaya seems to be covered with a shell: the panels of its walls are joined not in one plane, but overlap, so that the edge of the upper one covers the lower one. Architects explained this by the desire to avoid getting wet and blowing interpanel seams. In panel construction, this is indeed a frequent misfortune, and in this case the risk was aggravated by the fact that the construction was carried out in an economic way, that is, with the help of the workers of factory Znamya Truda, for whose workers the house was intended.

House of Music

In terms of creativity, this building has no equal in Moscow. It was conceived as the House of Music, which had never existed before. The authors began with the utmost lapidarity, a kind of "building with a secret", "music box". Inside, everything sounds and sings, but outside there are blank walls, because neither the museum nor the concert hall need windows. However, the lower level of the building is hospitable entirely glazed and soars and is open on legs. This image, dating back to the Doge's Palace (deaf top, transparent bottom), was very popular with Soviet cultural institutions. And he was especially loved by the masters of Stalin's tempering, to whom belonged also Joseph Loveiko, who throughout his life carried the loyalty of the heavy monumentality: this is the Sovetskaya hotel, and the building of the Ministry of Internal Affairs at 6 Ogareva, and the Yerevan cinema. But the museum did not start building for a long time: in the mid-70s, the construction of cultural structures was frozen. Meanwhile, the asceticism of the 60s began to seem dry and insufficient, but the enthusiasm for the "synthesis of arts" began and the authors decided to "enrich" the building with the help of monumental art, introducing stained glass, sculpture and metal relief into the composition. These visual accents already exist in the first version of the building. In the 60s, the project looks like a solid brutalist volume, and all these elements are united by a spectacular geometric pattern drawn on the marble chips of the facade. But gradually the drawing becomes more and more faded, and each of the elements begins to claim the role of the first violin.

In the 2000s, the legs of the facade were dressed in metal, and the space between them was compacted and taken into the terrible frames of double-glazed windows.
In 2010, a project for a complete reconstruction of the building was made in the workshop "Sergey Kiselev and Partners". “When we were told that we can clean the facade, writes one of its authors, Vladimir Labutin, I decided to respect the work of my predecessors. We decided to transfer the drawing that is on today's facade to a glass screen, where there is a very expressive Suprematism.

The club named after S.M. Zuev

According to the results of the competition, the club named after S.M. Zuev was realized in 1927-1929 by the architect I.A. Golosov, who, along with the architect K.S. Melnikov, the Utility Workers' Union ordered the design of the building.

Elegant and expressive, it became one of the "star" buildings of the architectural avant-garde, becoming the most famous building of the architect I.A. Golosov, a monument to the master's formative concept.

The club is located on the red line of Lesnaya Street, occupying a corner position on a disproportionately long stretch.

The composition of the club is based on the intersection of the vertical glass cylinder of the staircase and the horizontal parallelepiped of the upper floor. The center of the composition - the cylinder - is oriented towards the intersection. The main facade faces Lesnaya Street, and the side facade is 10 meters from the tram park, a stone's throw from potential club visitors. Therefore, his canteen served the workers of the park, having an independent exit to the street.

The rectangular space of the club houses an auditorium for 850 seats, a small hall and a large group of club rooms. The flat roof functioned as a solarium, over which a canvas ceiling was stretched, or a sports and dance floor.

Despite the alterations of the 1940s (the auditorium with daylight was turned into a theater) and major renovations in 1978-1980 before the Olympic Games (a rafter structure and a pitched metal roof were erected instead of a flat roof, there were also changes in the decoration of the interiors), the image has been preserved and the stylistic features of the 1920s club.

Krasnopresnensky District Council building

Built in 1928 - 1929 designed by architects A. Golubev and N. Shcherbakov and is one of the first buildings of city district councils in the USSR. The building is the result of the search for a new form of representative building in the new Soviet state.

The building is brick-built and has three floors. The internal layout has a corridor system with offices located on both sides of the corridor. The architectural feature is the presence of elements protruding from the plane of the main facade, as well as attics imitating a flat roof. A forward-facing portico with a simplified shape accentuates the main entrance. The architectural completeness of the building is given by the contrasting of blank walls and window openings from strongly protruding blocks of stairs, which are emphasized by vertical windows.

The first house of the Russian railway building cooperative partnership

1928

A small four-storey house with a symmetrical facade. Its brick side and courtyard walls are devoid of decor, as in pre-revolutionary tenement houses. The main facade is plastered and decorated with two glazed bay windows with a relief inscription over the passage arch: "The first house of R.Zh.S.K.T-va", executed in a typical "chopped" font of the 1920s. Small balconies on thick concrete consoles protrude from bay windows with high attics concealing a pitched roof. A metal parapet between bay windows along the entire length of the main facade gives the impression that the building has a flat roof terrace.

Maryinsky Mostorg (MSPO Krasnaya Presnya Department Store)

Architect: K. Yakovlev
1927-1928

Such shops were built in every district of Moscow, each according to an individual project. The corner building has a layout characteristic of this type - large display windows, a "front" corner three-flight staircase and trading rooms along two external facades. Until the 1940s, the store had smooth walls, emphasizing the smooth curvature of the facade and the "intangibility" of the glazing. Above the entrance was the name in large cut-off type. Later, the building was re-plastered, window frames and cornice were added, but the overall composition of the facades was preserved.

Garage "Intourist"

1933-1936
Architect: Melnikov K.S.

The development of the garage project was entrusted to the Architectural and Design Workshop of the Moscow City Council No. 7, headed by KS Melnikov. It was a typical constructivist industrial building with flat, richly glazed facades. Already at the last stage, KS Melnikov himself joined the design.

“I almost never touched the technological essence <...>,” - recalled Konstantin Melnikov in 1965, - “leaving this, as well as the development of working drawings, to my very executive associate architect V.I. »The main facade of the Intourist garage, like most of Melnikov's other buildings, was conceived as a single figurative composition of various geometric shapes that take the form of a circle, trapezoid and rectangle. The facade of the garage was interpreted by the architect as a screen, in the center of which (in a round "showcase") cars continuously flicker along the inner spiral ramp. The diagonal used by Melnikov in most of his projects, in the Intourist garage project, takes on the role of the compositional dominant of the facade: starting from the bottom of a huge round window, it cuts through the entire main facade, skirting the building on the left and drawing an infinity sign on it.

"The tourist's path is depicted as infinity," wrote Melnikov, "starting from the sweep of the curve and directing it at a rapid pace upward into space." In the upper part of the main facade of the building, the logo of Intourist was to be located. From the left corner of the main facade, according to Melnikov's project, the main entrance to the building was to be located, crowned with a balcony with a sculptural composition. The completed part of the project with an elastic curl of a stained-glass window on the facade, divided vertically by double thin pilasters, is clearly cut off from its acute-angled beginning, from where the wide edge of the second triangle begins in the project, which vanishes under the lower boundary of the circle. Attached to the left at the beginning of the 60s, a faceless volume turned the implemented fragment of Melnikov's plan into a facade decoration with a hidden meaning, which only enhances the aesthetic dignity.

MIIT club and hostel

The building was designed by architects S. Gerolsky and L. Velikovsky, executed in the avant-garde style. The project was proposed in the 1920s, but construction proceeded intermittently and was completed in the mid-1930s, and the design and interior underwent some changes influenced by changes in architectural fashion.

The exterior is made in a restrained and laconic style; a glazed facade is effectively open into the alley. The glazed foyer and the corner of the building are outlined, made in the form of a cylinder cut into a parallelepiped.

Svoboda Factory Club

The club building on Vyatskaya Street in Moscow, built in 1929 according to the project of Konstantin Melnikov for workers of the State soap and cosmetic factory “Svoboda” of the TEZhE Trust No. 4 of the Union of Chemists.

The architectural idea of Svoboda Factory Club, submitted by K. S. Melnikov to the Union of Chemists, turned out to be the opposite of the three clubs previously designed for this union:
“... if in those previous mechanical forms of architecture consisted in the integration of rooms,” K. Melnikov wrote in 1965, “in the Palace on Vyatka Street, the auditorium was designed with an elongated elliptical cross section of the cistern, which was cut in half by the lowering wall into “cinema” and “theater” with the whole complexly equipped stage. "

Of all the completed buildings of K. Melnikov, the project of Svoboda Factory Club underwent the greatest changes during the construction. According to the initial project, a swimming pool was provided under the floor of the club’s auditorium, which it was decided not to build during construction, since there was no water supply and sewage in this section of Vyatskaya Street. The entrances to the Club were designed as four ramps leading directly to the second floor: two of them are located on the side of Vyatskaya street and two on the side of the park. Symmetrical ramps on both sides of the building was designed not only for the entrance to the club, but also for passing through the auditorium of mass processions and demonstrations. In addition, entrances leading to the club lobby were designed under the ramps. During the construction, the ramps were replaced by stairs, and from the side of the park it was decided not to build them at all. The active use of Melnikov in the project of Svoboda Factory Club and a number of other buildings of external stairs is explained by his desire to reduce the volume of internal auxiliary rooms: fire safety standards of those years required for internal stairs very large cubic capacity, but it did not extend to the size of the exterior. Failure to build a pool and ramps entailed a change in the structural and spatial order.

The Novo-Sukharevsky market

The Novo-Sukharevsky market (also the “Novosukharevsky market”) is the Moscow food and industrial market that existed in 1925-1930 in the area between the modern Bolshoi Sukharevsky Lane, Trubnaya Street and Sadovaya-Sukharevskaya Street. It was also known as New Sukharevka.

The market was built according to the project of the Soviet architect Konstantin Melnikov.

In the center of the converging beams in 1924-1926, the office building (committee) of the Novo-Sukharevsky market was built, which in addition to the market administration also housed a tavern. The brick office of the Novo-Sukharevsky market was the only building on the territory of the market that was not built of wood. The plastered and lime-painted facades of the office had a different solution, which was due to the peculiar creative style of the architect, noticeable in most of his buildings. The building consisted of several volumes, the main part of which was three-story. An open terrace was arranged on the roof of the building, where a staircase from the third floor led.

Narkomlegprom

The Centrosoyuz building (also known as Narkomlegprom (People's Commissariat of Light Industry) Building, CSB Building) is an office building on Myasnitskaya Street in Moscow. Built in 1928-1936 in an international style designed by the French architect Le Corbusier with the participation of Pierre Jeanneret and Nicholas Collie. The facades of the building are simultaneously facing two parallel streets - Myasnitskaya and Akademika Sakharova Avenue. At various times, the building housed various administrative institutions; since 1991, the Federal State Statistics Service (Rosstat) and the Federal Financial Monitoring Service have been located in it. An object of cultural heritage of the peoples of Russia of regional significance.

The building of the Central Union is the first example of the joint work of Soviet and European architects in the spirit of an international style that has come into vogue everywhere since the early 1950s. “The huge glazed walls of the house give him a cold, monotonous and inhospitable character. It seems that behind these walls people should work hard, automatically, sadly, gloomily. This is Americanism, alien to us and unacceptable in Soviet conditions.
Schedule Sergey Kozhin »
The building is a vivid example of Le Corbusier’s creative style “The Five Starting Points of Modern Architecture”, which in the process of work he added “the principle of free circulation of people and air”. The building became one of the first large office complexes in Europe, the features of which are a huge area of facade glazing, open pillars, supporting blocks of offices, free spaces on the ground floor, horizontal roof. Attracting attention, the wall cladding of the house is made of pink Artik tuff.

According to its layout, the House of the Central Union is similar to the building of the Ministry of Health and Education in Rio de Janeiro, designed by Lucio Costa and Oscar Niemeyer with the participation of Le Corbusier. Other Similar Works by Le Corbusier - Swiss Pavilion (Fr.) in Paris and the United Nations Headquarters in New York. Both buildings are large glazed rectangles.

The building of the printing house and the editorial board of the Izvestia Central Executive Committee of the USSR and the All-Russian Central Executive Committee newspaper

The building of the printing house and the editorial board of the Izvestia Central Executive Committee of the USSR and the All-Russian Central Executive Committee newspaper was built in 1925-1927 according to a project drawn up by architect Grigory Barkhin with the participation of architect Ivan Zvezdin and engineer Arthur Loleit. It was built on Strastnaya Square, next to the Strastnoy Monastery, on the site of an 18th-century house that previously belonged to Maria Ivanovna Rimsky-Korsakova.

In 1975, on the site of the demolished “Famusov’s house”, a new building was added to the building (5, Pushkinskaya Square) according to the modernist project of the team of architects under the direction of Yuri Sheverdyaev (architects V. Kilpe, A. Maslov, V. Utkin, engineers V. Markovich , V. Pernes, B. Saffron). In 1979, Sytin’s office building in front of the new building was moved to the side of Nastasinsky Lane (1904, architect A. E. Erichson, with the participation of V. G. Shukhov), which was also included in the Izvestia building complex.

The building consists of 2 buildings connected by a staircase. The land allotted for construction was small, but it was required to put the entire Izvestia team in one building, so the initial project involved the construction of a 12-story tower above the staircase. He had to refuse it in 1926, when the ban on the construction of buildings above 7 floors within the Garden Ring came into force.

The facade of the building is formed by a frame underlined by architectural elements: vertical and horizontal ceilings create a clear grid with square openings of the printing house windows occupying the lower levels. On the upper floor are editorial offices with large round windows-portholes. The dynamics of the facade are given by asymmetrically located balconies and a square clock at the end of the building. Brick walls are plastered with imitation of concrete, a new material for the 1920s. Finishing work was carried out by Italian masters who had previously worked on the building of the Museum of Fine Arts, using technologies tested at the museum building, for example, adding granite chips to plaster.

House-commune "Isotherm"

House-commune "Isotherm" - a seven-story building in the style of constructivism, located in the Meshchansky district of Moscow. It was built in the 1930s according to the project of the architect Nikolai Collie for the Isotherm Housing and Building Cooperative Partnership (ZSKT Isotherm). House-commune "Isotherm" is made in the style of constructivism and differs meager decor, as well as the unusual use of free space. The main building is built along Rozhdestvenka, from the side of the lane at an acute angle, the second wing adjoins it. The slanted corner of the structure is emphasized by a bay window, which is the compositional center of the ensemble. It hangs over the first floor without additional supports. The wide windows of this part of the building repeat the geometry of the house, which visually facilitates the supporting structure. The building on the side of the alley is interesting for the layout of balconies. They highlight the far corner of the facade and are connected by a support that breaks off at the bottom. According to art critics, the lack of additional supports for the bay window and balconies is due to the use of particularly durable materials new for that time, which is typical for the constructivism style. The rhythm of the windows emphasizes the horizontal direction of movement. Only stairwells are equipped with vertical strip lighting.

Mossovet residential building

1930
architect S. Kozlov

Office building of Transstroy Trust

The six-story office building was built in 1929-1932 according to the project of architects I. Komarov, N. Godunov and engineer V. Rimsky-Korsakov.
The asymmetric building is indented from the red line of the street, one of the walls of the lobby has a round window, the roof of the lobby is a roof-terrace.

House number 19/6 on Bolshoy Kozikhinsky

House number 19/6 on Bolshoy Kozikhinsky lane, built in the style of constructivism in 1933.
During the Great Terror, six people were taken away from this house to be shot.

Assay Administration

Assay Administration (1897, architect NI Kakorin, building architect JS Burgardt), the restructuring, the 20-ies. XX century in the style of constructivism.

All-Union Planning Academy (APA) named after VM Molotov at the State Planning Committee of the USSR.

Built in 1937 by architect D. V. Razov.

House of the Union of Builders (Builders' Club)

1929, architect I.I.Fyodorov

The building is designed in the style of constructivism, being its typical example. The house is designed from several volumes, contrasting with each other in shape and mass, as if cutting into each other of a three-story cylinder and a two-story parallelepiped. The architectural feature of the building is the alternation of relatively large windows with an open plane of plastered walls, which gives the architectural solution a dynamic.

Currently, the building has been partially reconstructed, as a result of which its exterior has also changed. In particular, part of the windows and the entrance to the semicircular volume were laid, the visor was cut off above it, and an additional floor was built up.

Dom Novogo Byta (The House of New Life)

The building, which has been occupied by the House of Graduate Student and Trainee since 1971, was conceived as a social and architectural experiment to create mass housing for the country of victorious communism, without taking into account the constraints of the current moment in time.
Initially, it was called the House of New Life and was designed by a group of architects led by Nathan Osterman, the author of the experimental 9th ​​quarter of New Cheryomushki, for singles and young families. This is an early example of participatory architecture, in which selected prospective tenants directly proposed infrastructure and internal organization options. In parallel with the architects, sociological scientists worked, studying the influence of the organization of the living environment on the formation of personality and the idea of ​​a Soviet person at the end of the 1960s about the desired housing.

The House of New Life was supposed to become a multifunctional residential complex with a variety of public spaces and a system of consumer services that relieved residents of the burdensome household, freeing up time for sports, hobbies and self-education. Osterman's project rethought the experience of Soviet communal houses of the 1920s and Le Corbusier's ideas of residential construction, and, according to the architect himself, was intended to help a person overcome the loneliness, loss and alienation of life in a modern big city. The house of the new way of life was not a serial project, and relatively little attention was paid to the cost and maintenance of such housing.

Osterman's utopian project was never realized. In 1969, the architect died at the age of 53, and the program of the House of New Life was simplified and reduced. Upon completion of the construction, the house was transferred to Moscow State University as a hostel and a hotel for young teachers, graduate students and interns. The new building was supposed to unload the dormitories in the Student House in the main building of Moscow State University. Under the jurisdiction of the Moscow State University, the building gradually deteriorated, in particular, in the 2000s, the cinema hall and the swimming pool were closed due to an emergency condition.

The building of bathhouse in the Rogozhsko-Simonovsky District.

The building occupies an area of ​​10 thousand square meters and resembles an airplane in plan: according to legend, this is the Ilya Muromets airplane designed in the 1910s. The entrance was decorated with a large inscription "bathhouse was built with the funds of the loan from the Moscow City Council. 1928-1930", facing the AMO factory workshops and is located in the" tail "of the building, which is why many considered the opposite facade, which faces the axis of the residential area for workers, as the main one. This facade with a rounded top, which continued the shape of the pool floors, was flanked by semi-cylindrical high "towers", inside which were located stairs. The upper tiers of the towers were occupied by water reservoirs, which ensured a good pressure of water in the pipes.

The Palace of Culture of the Proletarsky District

It was built as the Palace of Culture of the Proletarsky District according to the project of the famous architects-constructivists, brothers L. A. and A. A. Vesnin, who won the competition, in 1930-1937.

The construction of the palace began in 1931. In 1933, the small theater was completed, and in 1937, the adjacent club building. Only a part of the project has been completed: a T-shaped club section with a small auditorium for 1200 seats. The detached building of the large auditorium was not built.. In keeping with the principles of constructivism, the building is distinguished by a strictly logical volumetric-spatial composition: a successful relationship has been found and a convenient relationship between the entertainment and club rooms has been ensured. The auditorium, facing the street with its lateral facade, is connected with a suite of rooms for study in circles. The suite rests against the winter garden, at the end of it, along the winter garden, two more wings extend; at the end of the right is a buffet (now a library is in its place), at the end of the left is a rehearsal room. A conference hall was located directly above the winter garden, and even higher - an observatory, the dome of which rises above the flat roof of the building. When creating the project, the authors relied on the well-known five principles of Le Corbusier: the use of pillars-pillars instead of wall arrays, free planning, free design of the facade, elongated windows, flat roof. The volumes of the club are emphatically geometric and represent elongated parallelepipeds, into which the risalits of staircases and cylinders of balconies are embedded. The style of constructivism affected not only the functional expediency of the plan, but also the composition of the facades: from the outside, the hall is surrounded by a semicircle of a two-tiered foyer, the curvilinear outlines of which dominate the external appearance of the building.

Bakery number 9 named after the XVII Party Congress

1934

The enterprise was launched in 1934 under the name Bread Plant No. 9 named after the XVII Party Congress in honor of the 17th Congress of the All-Union Communist Party (Bolsheviks) that took place on the eve of the XVII Congress. The plant became the fourth in a row among Moscow bakery plants that used the ring baking technology developed by engineer Georgy Marsakov, the embodiment of which is reflected in the characteristic cylindrical shape of the body. Breeder Peter Lisitsyn, who visited the United States in 1930 to study the experience of modern bakeries and mills, took part in the design of the plant.
The main production building with a six-storey cylindrical core and striped glazing was built in 1933, the total area of ​​the building's premises is 10 thousand square meters. During the construction, reinforced concrete structures with vertical bearing racks and horizontal beams diverging in radial axes were used, utilities were laid along the central axis of the body cylinder. The building is considered an architectural monument of industrial constructivism.

Gosplan garage

1936

Designed by architect Konstantin Melnikov in collaboration with V.I.Kurochkin

The last of the completed buildings by Konstantin Melnikov. It was built in 1936 for the vehicles of the USSR State Planning Committee. As for the garage of Intourist, built two years earlier, the working drawings of the building were made by the Architectural and Design Workshop of the Moscow City Council No. 7, headed by the architect V. I. Kurochkin. Unlike the garage on Novoryazanskaya Street and the Bakhmetyevsky garage, which were completely completed by Konstantin Melnikov, he designed only the architectural design of the facades for the Gosplan garage.

The building is designed in the style of the Soviet avant-garde. Melnikov's architecture of the 1930s is characterized by large forms, volumes, plasticity and straight lines, which is reflected in the appearance of the State Planning Committee's garage. It combines three constructive shapes: rectangle, triangle and circle. The street facade of the main one-story building is filled with a round window with a massive frame and vertical lines. To the right of it, a tall factory chimney was installed (but not preserved), compositionally bringing together all the elements of the building. On the four-storey building, which was occupied by the administration and workshops, volumetric fluted columns are cut vertically. The windows on the courtyard facade, made in the form of rectangles, are inclined, repeating the direction of the stairs inside the building. The general view of the garage resembles a car: a round window with a low roof forms the headlight and an elongated wing, and the vertical white lines of the facade form the radiator grill.

Konstantin Melnikov wrote about the Gosplan garage:
"One "eye", shifted from the center to the high volume of the administrative building with a narrow cut of the pipe - and I found the connection of the "formalistic" approach with the very essence of the world of beauty."

Factory-kitchen (Bolshevsk labor commune)

early 1930s
Architects: Langman Arkady Yakovlevich, Cherikover Lazar Zinovievich

Shopping center (Bolshevskaya labor commune)

1928-1930
Architects: Langman Arkady Yakovlevich, Cherikover Lazar Zinovievich

Shopping center in the early 1930s was one of the largest centers of this kind near Moscow. Initially, it also housed a cafe, a post office, hairdressers and a library donated to the commune by Maxim Gorky.

Dormitory (Bolshevsk Labor Commune)

1928 - early 1930s
Architects: Langman Arkady Yakovlevich, Cherikover Lazar Zinovievich

The kitchen factory was built for the workers of the Moscow gun factory number 8.

1930-1931
Architect: with the participation of P.I.Klishev

Hospital complex (Bolshevskaya labor commune)

1928-1932
Architects: Langman Arkady Yakovlevich, Cherikover Lazar Zinovievich

Grocery store

One of the first brick buildings in the village of Kalininsky, where the first grocery store in the city of Korolev was located.
Built in 1915
In 1936-1937 the architect P.I.Klishev partially expanded the store building.

Stavropolye sanatorium complex (Corn)

On July 24, 1970, SMU No. 3 of Glavsochispetsstroy began construction of the Stavropolye sanatorium complex in the Mamayka microdistrict.
In 1966, a land plot was allocated in Sochi for the construction of a sanatorium in the bed of the Psakhe River. In 1968, by decision of the Stavropol Regional Council, the directorate of the interkolkhoz sanatorium complex was created. Shareholders of the construction were 162 collective farms and 22 state farms of the Stavropol Territory. Several buildings were under construction, including a 24-storey dormitory with 541 beds. Designed the health resort TsNIIEP LKZ I K in the city of Moscow (architectural workshop of V.A.Strogov, chief architect of the project T.A. Sotskaya, chief engineer M.Kh. Tsinman). The sanatorium "Stavropolye" was designed for 1100 places. The sanatorium complex includes two dormitory buildings: a 24-storey main building in the shape of "corn" and a 3-storey "Primorsky"; medical 2-storey building and a private beach. The main building is located 400 meters from the sea, "Primorsky" - 50 meters. In 1974, the Stavropolye sanatorium received its first guests - agricultural workers from different regions of the country.

Sochi bus station

"Light" building of the Sochi bus station with an undulating roof
1966
Architect Vyacheslav Morozov

Nizhny Novgorod Polytechnic University

Nizhny Novgorod Polytechnic University continues the history of Warsaw University, opened in 1898. On July 6, 1916, it was decided to transfer the institute to Nizhny Novgorod. The new building of the Gorky Industrial Institute was built according to the project of architects D.N. Chechulin and I.F. Neumann. The architects created a vivid example of constructivist architecture, using simple geometric shapes, wide "recumbent" windows. The main facade is decorated with pilaster columns and sculptural images of students. The main entrance of the building, overlooking Minin Street, is decorated with a large wide staircase and 4 white columns.
In 1950, the university was renamed the Gorky Polytechnic Institute, and in 1990 - the Nizhny Novgorod Polytechnic Institute. Now the full name sounds like this: Nizhny Novgorod State Technical University named after R.E. Alekseeva.
The building of the first building of the Polytechnic University is a monument of regional significance.

Residential building

1929

The architect is unknown, but at the same time the building resembles the work of A. A. Yakovlev (senior) State Shipping House on Zvezdinka

Four-storey residential building. 15 apartments (from 1 to 5 rooms).

House of Communication

1935

Architects: Grinzberg M., Michurin Yermingeld Mitrofanovich

The decision to build the House of Communications on the First of May Square was made in 1932, but construction began only in 1935. The House of Communications was built in the post-constructivist style and commissioned in 1936 and at that time was one of the largest buildings in the city.

The complex layout of the building is due to its functional purpose. Sorting correspondence required a large hall located in the northeastern part of the building.

The facade is decorated with a bas-relief from the everyday life of the city's residents and an inscription

House of Soviets

Built in 1929-1931.

Became the second House of Soviets in the country.

Architect Alexander Grinberg

The House of Soviets is located on the territory of the Kremlin. Now the building houses the administration of Nizhny Novgorod and the City Council.

To free the site for the construction of a new administrative building, the Savior Cathedral was dismantled in 1929.

The basis of the house is intersecting straight lines, a kind of axis of the building, typical of constructivism. In the center of the composition is a half-cylinder, although it does not divide the structure into equal parts, so the building is asymmetrical. If you look at the building from a bird's eye view, it resembles an airplane.

In 2005, the building was restored: now it has its original appearance, except for the color. During the construction, the facades were painted in a light gray color, imitating the most fashionable material of that time - reinforced concrete, and during restoration the shade was changed to dark gray. The interiors of the House of Soviets have practically not survived, except for the stairs.

House-commune "Cultural Revolution"

Built in 1929-1932.

Architect V. V. Medvedev

Consists of several residential buildings connected by pendant passages on the second and fifth floors, as well as dedicated communal blocks.

The project was based on the ideas of creating a new, partially socialized life, popular in the 1920s. It was assumed that the residents of the house would be largely relieved of the typical everyday difficulties. For this purpose, a number of common areas were put into operation: a dining room, showers, a library, a first-aid post, a hall for general meetings, etc. Any room could be accessed through special inter-building passages without going outside. For the first time in Nizhny Novgorod, a complex of buildings was equipped with two elevators.

It is currently used as a residential building.

The Nizhny Novgorod building is typologically unique in the size of the complex (in particular, it is the first six-storey building in the city), the variety of purpose and architectural form of the buildings included in it, as well as relatively good preservation. House-commune "Cultural Revolution" is a cultural heritage site of regional significance. Today it is the only residential building-commune in Nizhny Novgorod and one of the few similar buildings in Russia, which has largely retained its profile use.

House-commune of railway workers

Built from 1929 to 1934

The building is an example of constructivism in architecture and is distinguished by its rigor, geometrism, laconic forms and solid appearance. It has an original rounded shape, which is emphasized by tape glazing. The residents of Nizhny Novgorod called the house "iron" for its external resemblance.

House of Soviets

Built since 1970

Architect Lev Misozhnikov

The House of Soviets was supposed to be a 28-storey building, consisting of two high-rise rectangular towers, lined with relief panels and united in two levels by covered walkways. It was planned to improve the area in front of the building: to place fountains, flower beds and even an open-air concert hall on it. The building was supposed to house the administration of the Kaliningrad regional committee of the CPSU and the regional executive committee.

Construction began in 1970, but since the ground in this part of the city was not strong enough to erect such a tall building, there were problems with the building's statics. At the time of Perestroika, problems began with financing the project, it was necessary to abandon many delights, for example, to make significant changes to the project - instead of 28 to build 21 floors.

Construction was carried out by SMU-4 of the Kaliningradstroy association. The commissioning period was the 4th quarter of 1988.

In the second half of the 80s, when the building was 95% complete, construction work was suspended.

In 2020, on November 5, the Governor of the Kaliningrad Region Anton Alikhanov announced that the House of Soviets, with the exception of the foundation, will be dismantled in February-March 2021 (dismantling of the foundation will be considered later).

Pedagogical Institute

early 1930s

Palace of Pioneers

Built in the late 1920s like a kitchen factory, but in the 1930s the project has been changed.

The development of the interior design project for the building was entrusted to the design workshop No. 3 of the People's Commissariat for Heavy Industry, headed by Professor M.Ya. Ginzburg. One of the architects who took part in the reconstruction of the Palace was Ivan Ilyich Leonidov.

In the opened Palace of Pioneers, about 50 different circles worked. On the ground floor there were circles: water transport, model aircraft, radio engineering. On the second floor: auditorium, dance and sports halls, games room, on the third floor: scientific rooms, literary, drama, art studio, library and reading room.

The members of the literary circle published a handwritten journal. A puppet theater worked. Art lovers, young technicians, designers, naturalists, athletes, Komsomol and pioneer activists found things to their liking. A huge creative work was carried out by the teaching staff headed by its director Ustinov Philip Alekseevich. The team consisted of about 20 teachers.

Cinema "Zvezda"

Opened in 1937

Architect V.P. Kalmykov

An architectural monument of late constructivism (post-constructivism). The building is shaped like binoculars; the main entrance is made in the form of a deep niche between two towers with vertical windows and columns in the upper part, the side facades are decorated with hexagonal columns. The design of the building bears a resemblance to another project by the same architect - the Rodina cinema in Moscow. Subsequently, similar architectural projects were implemented in Smolensk (cinema "October") and in Simferopol (cinema "Simferopol").

River Station

Built in 1938

Architects E. I. Gavrilova, P. P. Raisky, engineer I. M. Tigranov.

Built on the site of the destroyed Otroch monastery. It is a three-story building with a tower and a spire, symmetrical wings with arches and balconies, built in the style of Stalinist neoclassicism. Designed for the simultaneous reception of 550 passengers.
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